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Javen Says:
Taylor Swift, according to a piece on the cover of Sunday's New York Times "Arts & Leisure" section, "has quickly established herself as the most remarkable country music breakthrough artist of the decade." And indeed, getting a little fairy dust in our eyes listening to "You're Not Sorry," which debuted at No. 11 on the Billboard Hot 100 chart.
The second single off Fearless, isn't the stuff of redneck women but earnest suburban princesses, and one can think of better songs from the last ten years (in fact, better songs by 18-year-old female singer-songwriters in the last ten years), this bittersweet bit of pop fluff succeeds splendidly. She's an American idol, on her own terms.
Taylor Swift, according to a piece on the cover of Sunday's New York Times "Arts & Leisure" section, "has quickly established herself as the most remarkable country music breakthrough artist of the decade." And indeed, getting a little fairy dust in our eyes listening to "You're Not Sorry," which debuted at No. 11 on the Billboard Hot 100 chart.
The second single off Fearless, isn't the stuff of redneck women but earnest suburban princesses, and one can think of better songs from the last ten years (in fact, better songs by 18-year-old female singer-songwriters in the last ten years), this bittersweet bit of pop fluff succeeds splendidly. She's an American idol, on her own terms.
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